Molly Miller

Molly was raised in Woodinville, WA and grew up building forts in the forest and running through poison ivy to escape imaginary tree monsters. She left the woods to attend The University of Chicago where she double majored in Political Science and Theatre. After graduation Molly became the youngest performing improviser on a house team at the iO Theater and was cast in productions at the Court Theatre, The Annoyance and The Second City. While performing, Molly partnered with The Public House Theatre to write and produce a series of plays, including her long-running dramedy, Double Booked. In 2015 she wrote and executive produced Tribulation: The Musical, which opened for a six month run at the Mission Theatre where it received critical acclaim and went on to mount at the New York Fringe Festival. In 2017 Molly began her MFA in Screenwriting at USC where she was an Annenberg Fellow and the recipient of the 2018 Edward Small Screenwriting Award. Since graduating Molly has become obsessed with the criminal justice system. When she’s not at court Molly can be found watching crime dramas while doing jigsaw puzzles.

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LATEST ARTICLES

It’s Kind of Like a Heist… Or Dodgeball

It’s kind of like a heist — think Ocean’s Eleven. You assemble a rag-tag team of 12 to 14 professionals to carry out your operation. There’s just one problem: they have no skills. Even if they do, they are expressly forbidden from using their skills during the heist. They can’t research the heist online or talk to reporters about the heist. It’s really best if they don’t know anything about the heist before it begins.  That’s jury duty: a random selection of citizens without specialized legal knowledge who are assembled to...

The Matter of the Intersex Shooting

Editor’s Note: Out of respect for the privacy of some of the people depicted in this story, the defendant and the victim's names have been changed. All usernames altered. All identifying details erased. Deputy District Attorney Allyson Ostroswki begins her second day of cross-examination. Her tone is casual as she poses her first question, “In addition to having a vagina you also have what you describe as a small penis?” The defendant, Jackson Wilson, looks up from his wheelchair. He nods his head, “Yes.”

Twenty-Four Young Hopeful Faces Went Pale

Deputy District Attorney Chelsea Blatt addresses the jury in her closing argument. Her first words are: “What you saw yesterday was not normal.” I know. I was there. The first abnormality appeared minutes before the trial began. Twenty-four high school students filed into the courtroom at 9:30 am, announced by their well-postured leader as members of UCLA’s mock trial camp. The boys wore sneakers while the girls tottered in their shiny patent leather heels. These brace-faced, bespectacled young adults were a shining example of...

What Are the Odds?

According to Los Angeles Police Chief Michel Moore, 50% of all homicides in LA are gang-related. As a result, covering homicide in Los Angeles means covering gang violence. The statistics become their own, seemingly inevitable narrative that hangs like a cloud over the criminal justice system. But this isn’t a story about statistics: it’s a story about coincidence. Officer Oliver Medina takes the stand. He has a broad face adorned with unruly eyebrows. His boyish disposition is disarmingly friendly — a stark contrast to his finely pressed uniform and the imposing...

A Chair and a Killing

Think about the least significant piece of furniture in your home: a stool, a hamper, maybe a couch pillow. For me, it’s a cheap Ikea chair, one that’s currently occupied by an uneven stack of mismatched magazines that I mean to read but probably never will. These nomadic elements of home décor are inconsequential to our everyday lives — until they aren’t. Do you remember exactly where your furniture was on July 16, 2018? Donniesha Gregory is the victim in this case, a 32-year-old mother of two. On Monday, July 16, Donte Solomon, Gregory’s...

Strong Female Lead (Moorer 1) with Molly Miller Reading

It’s almost like a gritty, high-octane action flick. The female lead is a young prostitute and this is the climax of her narrative arc. After years of being mentally and physically abused by her pimp, they get into one last altercation outside of a bank. The pimp punches her face, elbows her eye and slams a car door on her head. She fights back — teeth, nails, everything she’s got — and manages to knock him to the ground. Then she gets into the car and looks at her pimp through the windshield....